Saturday, October 31, 2015

Adversarial Dialogue in Novels is Action

Adversarial dialogue is action. When characters speak, we see them as they talk, which means that dialogue is always in immediate scene. Stage plays are in immediate scene. So are films, and now, for the most part, novels. 

Sol Stein

The Underdog Character in Fiction

I find characters who are at cross-purposes with society, or opposed to society in some way, interesting because they are by definition the underdogs. They have to be clever, cunning, imaginative, dogged, and wily--whereas society merely has to lean its weight a little.

Donald Westlake 

Friday, October 30, 2015

Beginning Writers Are Usually Not Rewriters.

The beginning writer writes his first draft, reads it, and says, "This is awful. I'm screwed." The experienced writer writes his first draft, reads it, and says, "This is awful. I'm on my way!"

Jerry Cleaver

Advice to Crime Novelists

Don't distract a mystery reader with a romantic subplot.

Florence King

Thursday, October 29, 2015

The Title of a Book Matters

In a bookstore I walked past the first table, and a book caught my eye. I walked another 20 steps, stopped and went back. The title that caught my eye was Cleopatra's Secret Diaries. The thought of learning the most intimate secrets of one of the world's most famous lovers definitely intrigued me.

James Bonnet

Truman Capote Sought Fame Then Didn't Like It

I was famous too young. I pushed too hard too soon. I wish somebody would write what it's really like to be a celebrity. People come up and ask me for autographs in airports, and I give them because otherwise I think they'll hit me over the head.

Truman Capote 

Wednesday, October 28, 2015

Stephen King on Writing Description

Description begins with visualization of what it is you want the reader to experience.

Stephen King 

Aldous Huxley on Critics

The critics don't interest me because they're concerned with what's past and done, while I'm concerned with what comes next.

Aldous Huxley 

Novels With Too Much Dialogue

Dialogue presents a terrible temptation. It offers the writer a convenient platform from which to set forth his pet theories and ideas.

John Hersey

Tuesday, October 27, 2015

Writers And Their Booze

You usually can tell when a writer is going downhill by the size of his liquor bill.

James M. Cain

Can Creative Writing Be Taught?

But you can't teach writing, people tell me. And I say, "Who the hell are you, God's dean of admissions?"

Anne Lamott 

Learning to Write From Books By and About Other Writers

There are books on my shelves that have made me feel that I am part of a community of writers. I have collections of interviews with writers, a source least used in the academy. The serious student of writing and the teachers of writing should know the existence of the extensive testimony of writers, material that has been ignored by composition researchers. What writers know about their craft has been dismissed as the "lure of the practitioner."

Donald M. Murray

Monday, October 26, 2015

How Characters in a Novel Should Not Address Each Other

Don't have characters call each other by name in dialogue, unless it's for a specific effect, such as a threat. In real life, people rarely use each other's names when they're talking.

Cynthia Whitcomb 

For the Novelist There is Only One Plot

As far as I'm concerned, in the abstract there's only one plot, and it goes like this: A person or group or entity wants something. Another person or group or entity throws up every barrier imaginable to stop that goal from being achieved.

David Morrell 

Sunday, October 25, 2015

Is The Writer of One Great Novel a Great Novelist?

A man can write one great novel that can be great, but this doesn't make him a great writer--just the writer of a great book.

Anthony Burgess 

Writing a Bad Novel Is Better Than Writing No Novel

A bad novel is better than an unwritten novel, because a bad novel can be improved; an unwritten novel is defeat without a battle.

Paul Johnson

Great Writers Produce a Body of Work

Young writers write two or three books that are not only brilliant, and mature, and then they are done for. But that is not what enriches the literature of a country. For that you must have writers who can produce not just two or three books, but a great body of work. Of course it will be uneven, because so many fortunate circumstances must go together to produce a masterpiece, but a masterpiece is more likely to come as the culminating point of a laborious career then as the lucky fluke of untaught genius.

W. Sommerset Maugham 

Saturday, October 24, 2015

The Poorly Read Writing Student

On the first day in my intermediate writing class, I ask the students to write down their ten favorite books of fiction and their authors. A lot of them can't name ten. A lot of them fill in with genre writers, thrillers and whatnot.

T. C. Boyle

Friday, October 23, 2015

Profile of the Genius Writer

Genius did not need to be rootless, disenfranchised, or alienated. A writer could have a family, a job, and even live in a suburb.

John Cheever 

Thursday, October 22, 2015

Becoming Versus Staying a Writer

Anyone can become a writer. The trick is not in becoming a writer, it is staying a writer. Day after week after month after year. Staying in there for the long haul.

Harlan Ellison

The Dissertation Genre

P.h.d. students famously despair that the academic dissertation, as a literary genre, is inherently boring to the point of unreadable, while joking that the difficulty of writing one is enough to drive a person insane.

James Camp

Wednesday, October 21, 2015

One Prolific True Crime Writer

When I'm in a writing mode (eight months of the year), I am at my computer at least six days a week from 10 AM to about 7:30 PM, and I require ten pages a day--my personal commitment.

Ann Rule

Norman Mailer On Reading Reviews

I'd never dream of not reading reviews. It's like not looking at a naked woman if she happens to be standing in front of her open window.

Norman Mailer

Are You Sure You Want To Be a Writer?

We've always had a tradition in America of hounding our artists to death. Look at the list of great artists, you see a continual history of defeat, frustration, poverty, alcoholism, drug addiction. The best poets of my generation are al suicides.

James Dickey

Tuesday, October 20, 2015

The Prize-Winning Novel

Literary prize committees have always been unreliable judges of quality, and any reader silly enough to buy a novel for the stamp on the cover deserves a ghastly read.

B. R. Myers 

Should a Writer Sellout to Hollywood?

If Hollywood wants to prostitute me by buying one of my books for the movies, I am not only willing, but eager for the seducers to make their first dastardly proposal.

Thomas Wolfe

Monday, October 19, 2015

Writers Hear Voices in Their Heads

Many people hear voices when no one is there. Some of them are called mad and are shut up in rooms where they stare at the walls all day. Others are called writers and they do pretty much the same thing.

Meg Chittenden

The Isolated Writer

I'm a loner. I don't like groups, schools, literary circles. I don't have any writer friends, because I just want to have--distance.

Haruki Murakami

Why Do Writers Write?

Why I write, sheer egoism. It is humbug to pretend that this is not a motive, and a strong one. Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen--in short, with the whole top crust of humanity.

George Orwell 

Sunday, October 18, 2015

The Insecure Life of the Writer

The writer's life is inherently an insecure one. Each project is a new start and may be a failure. The fact that a previous book has been successful is no guard against failure this time. It's no wonder writers so often turn misanthropic or are driven to drink to dull the agony.

Isaac Asimov 

Saturday, October 17, 2015

How a Writer Can Deal With Rejection

Rejection is part of any creative art. To overcome, I immediately get back to the keyboard and work harder. Then I think of Hemingway, F. Scott Fitzgerald, Jack London, all of whom were rejected hundreds of time.

Cork Millner

How Writers Feel About Being Writers

Asking what it's like to be a writer is a lot like asking what it's like to be a dentist or an attorney. The answer depends on where you live, what you write, how successful you are, how old you are, if you're married, and how you think of yourself as a writer. But there is one thing that most writers do say about the writing life: it's lonely and frustrating. Writers seem to feel misunderstood by people who don't write and under-appreciated or ignored by the reading public. Feeling isolated and forced to compete with other writers, many authors complain that their books are not adequately promoted by their publishers. Otherwise, they're a contended group of workers.

Jim Fisher 

Friday, October 16, 2015

Raymond Chandler on Writers as a Class

Writers as a class I have found to be oversensitive and spiritually under-nourished.

Raymond Chandler

Who Do Writers Write For?

I made the decision very early on in my career to put everyone out of my mind when I write. Relatives, editors, Hollywood, critics. I have no reader in mind. I think it's death to a writer to consider how anyone will view their work. One writes for oneself in much the same way one daydreams for oneself.

Anita Shreve

The City as a Novelistic Theme

Many of the traditional themes of fiction--the corrupting powers of ambition, the nature of one's responsibility to self and to others, the tragedy of loneliness, the paradoxes and ambiguities of compromise--all seem congenial to the city's qualities--its crowded loneliness, its veneration for the new, its bustling immorality, its commercialism, its sense of busy pointlessness. The city is available as a symbol of opportunity and freedom and success, and of the empty underside of these qualities.

Rust Hills 

Thursday, October 15, 2015

The Importance of Setting in a Novel

Setting is as important as character. Go to the bookstore, open up a bunch of books and read the first line. You'll find that the majority of opening sentences have something to do with setting and evoking an emotion with the reader.

Bob Mayer 

The Interpretation of a Novelist's Intentions

The idea that readers could know an author's intentions better than she does herself is, of course, deeply destabilizing to our usual ways of thinking about literature. If a text can mean anything the reader wants it to mean, then why read it in the first place? Isn't literature supposed to help us achieve contact with other minds, rather than trapping us in a hall of mirrors, in which we can see only our own distorted reflections? Surely there must be limits to a text's interpretability.

Adam Kirsch 

A Literary Agent's Opinion of Manuscript Submissions

I just see an awful lot of people who believe that what makes a novel is 80,000 consecutive words. Most submissions I see feel like someone checking "write a novel" off their bucket list.

Chris Parris-Lamb

Wednesday, October 14, 2015

The Two Basic Plots in Fiction

There are only two basic plots in fiction, writers occasionally say: "Somebody goes on a journey" and, the other side of the coin, "A stranger comes to town."

Max Byrd 

War Novels

The literature of war is by its very nature political. If a writer's sentences are personal--what else, really can they be?--and a writer has trained his lens on a bloody battleground, in reading him we will come to know where he stands, where his passions lie. When it comes to fiction, this passion can often result in rhetoric-spouting characters whose sole purpose is to serve the author's ideas.

Dani Shapiro 

Unhappy Characters in Fiction

I understand that there are unlikable people, and I have no interest in making them likable, because I want to make them entertaining, and I think in order for characters to be entertaining they have to be unhappy.

Maria Semple

Tuesday, October 13, 2015

The World of Publishing

The world of publishing is a potentially hostile environment, especially for the writer.

Jeff Herman 

Monday, October 12, 2015

Novel Writing: The Lonely Profession

To write, you must concentrate, concentrate long and hard, and being alone is the price of that concentration. It takes years of self-imposed quarantine to write even a bad novel.

Tobias Wolff 

A Writer's LIfe

A writer's like is hard. Everybody says so, and everybody is right.

Stephen Koch

The Master of Fine Arts Professor

Most writers who teach in academia aren't really academics. The majority of people who teach in MFA programs, I think, tend to be working writers who just need the gig.

James Hynes 

Sunday, October 11, 2015

Kingsley Amis on The Point of Writing

If you can't annoy anybody, there's little point in writing.

Kingsley Amis 

Truman Capote on Hollywood

I just despise Hollywood. It isn't even a city. It's nothing. It's like a jumble of huts in a jungle somewhere. I don't understand how you can live there. It's really, completely dead. Walk along the street, there's nothing moving.

Truman Capote 

Joseph Heller's Work Habits

I work almost constantly. For a novelist without hobbies, weekends don't make much difference. Most people don't enjoy weekends anyway, they don't know what to do with Sundays.

Joseph Heller 

Saturday, October 10, 2015

The Best Writing Style

The best style is the least noticeable.

Whit Burnett 

Isaac Asimov's Relationship to The Characters in His Novels

My stories write themselves, and the characters do and say whatever they please without reference to me at all. I am not responsible for them, and their views are not necessarily mine.

Isaac Asimov  

Where Do Writers Get Their Stories?

If you're a doctor, you get sick people; if you're a lawyer, you get cases; if you're a writer, the Almighty sends you stories, sometimes too many.

Isaac Bashevis Singer

Friday, October 9, 2015

A Writer Can Lose Confidence in His Work

I've been working, working, working, and you know, sometimes you look back at your work and you see that it just isn't any good.

Truman Capote

Older Characters Created by Creative Writing Students

The over-thirty characters in my undergrad students' stores are pompous, insensitive, vulgar, unimaginative, grossly materialistic, hypocritical, self-deluding, stupid, and often totally wrongheaded about everything.

Martin Russ

Nora Roberts on Not Plotting Her Novels

I don't plot. I don't sit down and plot a book. It sort of unreels as I write.

Nora Roberts

Thursday, October 8, 2015

Where Do Writers Get Their Ideas For Books?

I have never claimed to create anything out of nothing; I have always needed an incident or a character as a starting point, but I have exercised imagination, invention, and a sense of the dramatic to make it something of my own.

W. Somerset Maugham 

One Author's Opinion of His Fellow Writers

On the whole, professional writers are a lot of whining bastards who wouldn't last a day in a real job. The true mortification of being a writer is having to meet other writers from time to time, and listen to their mundane egotistical rantings.

Duncan McLean

Is Book Reviewing a Public Service or an Art Form?

There is an art to book reviewing. Or a craft, I should say--because if the reviewer tries to be artistic, if he once abandons the secondary zone of creation, he's sunk. The point of the review, after all, is not him: It's the book. The book that somebody else wrote. So good reviewing demands a certain transparency of language, and an absence of prancing and posturing.

James Parker 

Wednesday, October 7, 2015

How Do You Feel After Finishing a Really Good Book?

I get slightly angry when I finish any good book--I'm miffed that I'm not reading it anymore, and that I'll never be able to read it again for the first time.

Daniel Handler

The Novel as an Evolving Genre

A remarkable thing about the novel is that it can incorporate almost anything--essays, short stories, mock memoirs, screenplays, emails--and remain a novel. The elasticity is also a sign that unlike, say, the epic or the ode, the novel is a living, evolving form. But if its outer limits are virtually nonexistent, the minimum requirement is generally that there be a narrative telling us something. In this way, any manner of book can find a way to justify calling itself a novel. But the label should not be worn lightly, since it invites scrutiny of the highest and most exacting kind.

Thad Ziolkowski

Tuesday, October 6, 2015

How Should a Writer Respond to a Critic Who Gave Him a Bad Review?

A writer should not respond to his or her critics. A writer should rise above, in radiant aloofness. Sometimes that's not possible, of course. I was drinking with a friend in London when he spotted, on the other side of the bar, a man who days before had reviewed him cruelly in a national newspaper. My friend grew  agitated. "I'll punch in in the face!" he said. "No, wait. I'll buy him a drink!" He paused. "What shall I do?" He had no idea and neither did I. Aggression, under the circumstances, seemed quite as promising/futile as magnanimity. I don't even remember what he did in the end. The point is: you can't win.

James Parker 

The Angry Writer

Writers who reply to reviews are invariably angry. (The flattered, happy ones keep their satisfaction to themselves.) An angry writer's tirade gives the lie to the surface placidity of literary life and reveals the passionate enmities that roil beneath. Think of Martin Amis's response to Tibor Fischer's attack on his novel Yellow Dog: "Tibor Fischer is a creep and a wretch. Oh yeah: and a fat-arse."

Zoe Heller 

F. Scott Fitzgerald in Hollywood

F. Scott Fitzgerald was both a perfect and terrible fit for Hollywood. His youthful fame gave him a shrewd perspective on that shallow, tinselly world. Yet while working there in the last three years of his life, he was a sad case: a debt-ridden genius, alcoholic, selling himself to collaborate on second-rate screenplays.

Caryn James

Monday, October 5, 2015

The Power of the Political Novel

The line between fiction and nonfiction is more blurry than many people like to admit. Sometimes, political writing that claims to be nonfiction is actually fiction. The political power of such fiction-as-nonfiction is undeniable…

     Most novels aren't directly credited with starting wars, Yet fiction still instigates change. Fiction can say publicly what might otherwise appear unsayable, combating the coerced silence that is a favored weapon of those who have power.

Mohsin Hamid

The Price of Fame

A writer dreams of the goddess Fame and winds up with the bitch Publicity.

Peter De Vries 

A Dim View of the Literary Critic

Books are savaged and careers destroyed by surly snots who write anonymous reviews and publishers can't be bothered to protest this institutionalized corruption.

Warren Murphy 

Sunday, October 4, 2015

When Novelists Write in the Passive Voice

Writers most often drop into passive voice when they are unsure of themselves, when they don't want anything to happen to one of their characters, when they don't want their characters to do anything bad.

Roger MacBride Allen

To Get Over Writer's Block Just Write

Regardless of the issues a writer struggles with--creative block, procrastination, fear of failure, etc.--the very act of writing tends to stoke the energy, continue the flow, direct the current of further writing. Writing begets writing.

Dennis Palumbo

Former TV Talk Show Host Dick Cavett Remembers His Favorite Author Guests

Anthony Burgess recounted how, diagnosed with a deadly brain tumor, he rapidly dashed off four novels in succession to support his family. Upon learning he'd been misdiagnosed, he claimed he was "vaguely disappointed. All that hard work for nothing." John Cheever on drinking while writing: "I can detect a sip of sherry in a paragraph." Vidal Gore on Truman Capote's death: "A brilliant career move."

Dick Cavett 

Saturday, October 3, 2015

Writing a Novel in First Person

First-person narratives often appeal to beginners because writing one feels like being an actor and slipping into disguise. Actually, a novel could be made up of more than one character addressing the reader in the first person, but to attempt such things you require a good ear for voices because each of them must be instantly recognizable.

Lesley Grant-Adamson

Prolific Writers Are Not Necessarily Bad Writers

I've been annoyed less by sneers at my alleged overproduction than by the imputation that to write much means to write badly. I've always written with great care and even some slowness. I've put in rather more hours a day at the task than some writers seem able to.

Anthony Burgess 

For A Novelist Early Success Is Not Necessarily a Good Thing

Winning the National Book Award for your first boo is an efficient way to lose your writer friends. People are cheered by your success--but only up to a point.

Ron Chernow

Friday, October 2, 2015

Choosing Your Novel's Setting

When you choose setting, you had better choose it wisely and well, because the very choice defines--and circumscribes--your story's possibilities.

Jack M. Bickham

Don't Let a Family Member Review Your Writing

In general, never choose your critic from your immediate family circle: they have usually no knowledge of the process of writing, however literary they may be as consumers; and in their best-natured act of criticism one may hear the unconscious grinding of axes sounding like a medieval tournament.

Jacques Barzun

John Cheever On Writing For Hollywood

I went to Hollywood to make money. It's very simple. The people are friendly and the food is good, but I've never been happy there. Perhaps because I only went there to pick up a check.

John Cheever

Thursday, October 1, 2015

Raymond Chandler On Working in Hollywood

I simply don't want to do any more work for Hollywood. There is nothing in it but grief and exhaustion and discontent. In no real sense is it writing at all. It carries with it none of the satisfactions of writing. None of the sense of power over your medium. None of the freedom, even to fail.

Raymond Chandler

Ernest Hemingway on Writing During the Summer

Summer is a discouraging time to work--you don't feel death coming on as the way it does in the fall when the boys really put pen to paper.

Ernest Hemingway 

The One-Book Author

There are several reasons why so many American writers have only one book in them. One is that it is very hard to be a writer of serious fiction in this country, not merely because we have so little respect for such work but because we throw up so many distractions in the way of it. All the hullabaloo attendant to writing a book to which other people respond intensely can be hugely flattering and can make it difficult to get on with one's work.

Jonathan Yardley