Friday, January 29, 2016

Using Novelistic Techniques in Writing Nonfiction

Creative nonfiction requires the skills of the storyteller and the research ability of the conscientious reporter. Writers of creative nonfiction must become instant authorities on the subjects of their articles or books. They must not only understand the facts and report them using quotes from authorities, they must also see beyond them to discover their underlying meaning, and they must dramatize that meaning in an interesting, evocative, informative way--just as a good teacher does.

Theodore A. Reese Cheney 

Thursday, January 28, 2016

Writing on a Sugar High

For seven years I ate at Bob's Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee--with lots of sugar. And there's lots of sugar in that chocolate shake. It's a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. I was like I had a desk with paper. All I had to do was remember to bring my pen, but a waitress would give me one if I remembered to return it at the end of my stay. I got a lot of ideas at Bob's.

David Lynch 

Wednesday, January 27, 2016

William Faulkner on The Inspiration to Write

I write when the spirit moves me, and the spirit moves me every day.

William Faulkner 

Tuesday, January 26, 2016

Tom Wolfe on Narrative Nonfiction

I certainly always use novelistic techniques [in nonfiction writing], but I also feel that the lines between fact and fiction should never be blurred.

Tom Wolfe 

Saturday, January 23, 2016

Novels Based on Ideas Rather Than Plot and Character

In a novel, implausibility is fatal. And fakeness almost always ensues when situations and characters are extracted from ideas. When ideas emerge organically from situations and characters, the opposite effect is produced. Philosophy, however, must not seem real. It must actually be real, advancing its arguments, as in a geometric proof, through a succession of facts.

Benjamin Moser 

Thursday, January 21, 2016

Who Reads Historical Novels?

Enviously noting the insatiable public appetite for television dramas like "Downton Abby," writers often lament the prospects for their historical novels, which have faint hopes of attracting anything resembling such sizable audiences.

Randy Boyagoda 

Wednesday, January 20, 2016

Write The Book That Only You Can Write

Why bother writing a book that someone else could write--just a historical novel that you research in libraries and on the Internet? If I'm going to add a book to the endless mass of books out there, then it should be a book that only I can write.

Nell Zink 

Tuesday, January 19, 2016

Reading What You Have Written To Others

When I stand over the podium and crack open my book for an audience I cringe. I suppose I haven't plateaued yet. You should, as a writer, always be disgusted with your previous work.

Benjamin Percy 

Monday, January 18, 2016

Fictitious Nonfiction

The line between truth [nonfiction] and fiction has become so blurred that the reading public no longer knows what to expect.

Jack Olsen 

Sunday, January 17, 2016

The Hyper-Intellectual Novel

There's a fashion now [2015] for fat, hyper-intellectual, cooler-than-thou novels that are loaded with lard and siphoned of believable feeling…

Mary Karr

Friday, January 15, 2016

Aspiring Authors Are On Their Own

No advice is useful, as you, an aspiring writer, already know. You have read Rilke's letters to a young poet. I'm sure you remember the first letter: "No one can advise and help you, no one." You know James Baldwin's words in is Paris Review interview: "If you are going to be a writer there is nothing I can say to stop you; if you're not going to be a writer nothing I can say will help you."

Siddhartha Deb

Thursday, January 14, 2016

Master of Fine Arts Programs

M. F. A. programs have developed something of a gate-keeping function. The system is certainly flawed: Programs vary wildly in quality and cost. They can inspire inflated expectations--after all, the formalized study of writing isn't an alchemic formulas by which every student becomes Tolstoy, or even publishes a book. It is also the case that the M. F. A's workshop model, with its intense scrutiny of new work, can be crippling for some writers.

     Nonetheless, M. F. A. candidates spend a couple of years studying the craft of literature, immersed in its more esoteric and ineffable qualities, as readers and as writers. That's no small thing.

Ayana Mathis 

Wednesday, January 13, 2016

To Be Interesting, Novels Need Villains

Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.

Simone Weil 

Tuesday, January 12, 2016

The Question True Crime Writers Can't Answer

Murder. Dismemberment. Rape. Cannibalism. Jack the Ripper. The Newtown Shooter. Why are we fascinated by murder and murderers, by acts of evil and those who perpetrate them?

     Tabloids, biopics and even dignified, well-researched accounts of serial murders indulge our appetite for real-life horror, dishing up the lurid details--the mutilated body, the serving woman found bleeding on her pillow, the severed head floating downriver--and sell millions of copies. But these works usually leave the central, most troubling questions unanswered. Not only the obvious ones: Why did the murderer commit the crime?

Charlotte Gordon 

Monday, January 11, 2016

Prolific Writers Just Work Harder

I write and write and write, and rewrite, and even if I retain only a single page from a full day's work, it is a single page, and these pages add up. As a result I have acquired the reputation over the years of being prolix when in fact I am measured against people who simply don't work as hard or as long. Getting the first draft finished is like pushing a peanut with your nose across a very dirty floor.

Joyce Carol Oates 

Saturday, January 9, 2016

Is There Such a Thing as a Professional Writer?

I may be a Professional Writer to the I.R.S. when I file my tax returns, but in creative terms, I'm still an amateur, still learning my craft.

Stephen King 

Friday, January 8, 2016

The Common Dead Spot in Most Biographies

Most biographies have to slog through an only marginally interesting youth until the real story kicks in.

Joseph Kanon 

Thursday, January 7, 2016

The Importance of Alcohol and Drugs in Writers' Lives

Alcohol and drug abuse are leitmotifs of writers' lives and work, from Thomas De Quincey's Confessions of an English Opium Eater to Caroline Knapp's Drinking: A Love Story. 

Sara Paretsky 

Wednesday, January 6, 2016

The Enduring Popularity of the Memoir Genre

The vogue for memoir, like all vogues, comes and goes. But the impulse perseveres. Celebrities, addicts, abuse victims, politicians, soldiers, grieving children: Everyone has a story to tell and a conviction that the world wants to hear it--and often enough, if the best-seller lists are any indication, the world does.

Gregory Cowles 

Tuesday, January 5, 2016

The Influence Old Novels Have on the New

Novels have to primary sources: writers' life experiences or their art experiences--although I suppose more religious writers might also make room for divine inspiration. While it's popular in publicity to focus on the life experience that informs a book, a writer's art experiences are just as responsible for how a story emerges from the imagination and eventually appears on the page. As Cormac McCarthy once said: "the ugly fact is books are made out of books. The novel depends for its life on the novels that have been written."

Matt Bell


Sunday, January 3, 2016

A Writer Without a Writing Routine

I wish I had a routine for writing. I get up in the morning and I go out to to my studio and I write. And then I tear it up! That's the routine, really. Then, occasionally, something sticks. And then I follow that. The only image I can think of is a man walking around with an iron rod in his hand during a lightening storm.

Arthur Miller 

Saturday, January 2, 2016

Being Inspired to Write

I write when the spirit moves me, and the spirit moves me every day.

William Faulkner 

Friday, January 1, 2016

When Does Satire Become Bullying?

Broadly speaking, if satire strikes upward, outward or inward, it's satire. If it strikes downward, it's bullying.

James Parker