When discussing characters and characterization, principally in the context of fiction, writers speak of round versus flat characters, changing versus static characters, dull versus interesting characters, and characters drawn from real life versus characters entirely imagined. Writers who have developed the skill to create compelling characters have also mastered the crafts of dialogue and description. It seems that the relative focus on characterization, vis-a-vis plot, is one of the elements that distinguishes genre from serious fiction.
Many people ask why a writer commits suicide. But I think that people who ask don't know the vanity and the nothingness of writing. I think it is very usual and natural for a writer to commit suicide, because in order to keep on writing he must be a very strong person.
I often wonder if all the writers who are alcoholics drink a lot because they aren't writing or having trouble writing. It is not because they are writers that they are drinking, but because they are writers who are not writing.
Writing novels is something you have to believe in to keep going. It's a fairly thankless job when no one is paying you to do it. And you don't really know if it's ever going to get into the bookshops.
In case no one's noticed, a novel is long. The prospect of writing four hundred pages about something yet undiscovered is daunting at best. The first page is as far as many writers get, frozen as they are into a solid block of ice.
Dialogue, when properly handled, is one of the most entertaining divisions of action. The man who speaks even one truly significant word is as much in action as the man who throws the villain over the cliff from the thundering express train.