The attitude that writers are a special class, that really alienates me. They talk about stress and how awful it is to be a writer--you hear that talk a lot in Hollywood. I had to catch a flight out of L.A. at eleven the night before last, so I walk around a little bit goofy for a couple of days because I'm sleepy, but that is nothing like unloading trucks for 20 years.
Referring to serious writers who sell out to Hollywood, a character in Rod Serling's play Velvet Alley says: "They give you a thousand dollars a week [1960s] until that's what you need to live on. And then every day you live after that, you're afraid they'll take it away from you. It's all very scientific. It's based on the psychological fact that a man is a grubbing, hungry little sleaze. In twenty-four hours you can develop a taste for caviar. In forty-eight hours fish eggs are no longer a luxury, they're a necessity."
Just write your novel in the first person, and you won't be tempted to let the viewpoint wander. If your hero or heroine is "I" instead of "he" or "she," you'll never find yourself slipping into any other viewpoint accidentally, just because it makes the plot work out more easily. You're locked into one character for good or ill.
The screenwriter Andrew Kevin Walker once said that no one in Los Angeles is ever more than fifty feet from a screenplay. They're stowed in the trunks of cars. In desk drawers at work. In laptop computers. Always ready to be pitched. A winning lottery ticket for its jackpot. An un-cashed paycheck.
There's a difference between a vocation and a profession. A vocation is a calling--something you are called to do. A profession is something that you practice. In the United States, I think about 10 percent of the novelists writing actually make a living out of their novel writing. [It's more like 1 percent.] The others have the vocation, but they can only partly have the profession, because they have to spend the rest of their time making money in order to keep themselves in their habit. They are word junkies. They've got to pay for their fix. I chose university teaching because there is a long summer vacation, and also because you could fake it.
Perhaps the single most important decision a writer makes when he begins a story is who the narrator is and where he's going to stand. The decision casts itself in the first sentence and is more complex than it seems on first sight. In making it, the writer answers a surprising number of questions, and those answers lay down the ground rules for the story he is writing. They will forecast the shape his story is going to take, and they will inform his style.
Many writers are reluctant to talk about the creative process--that is, how and where they get their talent, ideas, and inspiration to write. Many deny that talent is an inborn phenomenon, while others ridicule the notion that writers have to be inspired to create. Perhaps creativity is less a mystery than lack of creativity is. When a reader tells a writer that he can't image how one can produce a book, some writers may wonder how one cannot.